Showcase 5 Powerful Founder / CEO Women

Judith Faulkner – Founder/CEO, Epic Systems
Lynda Weinman – Founder/CEO, Lynda.com
Shira Goodman – CEO, Staples.com
Helen Greiner – Co-founder, iRobot
Kelsey Wirth – Co-founder, Align Technologies

http://techcrunch.com/2019/05/03/dear-hollywood-here-are-five-female-founders-to-showcase-instead-of-elizabeth-holmes/

Media bias “electable”, “authentic”, “likable” against #women on the 2020 campaign

Media bias against women on the 2020 campaign trail is already starting to ramp up, @jess_mc explains

Media bias against women, #electable, #likeable, #authentic

we like #uncorruptable #women

Elizabeth Warren is likable, authentic, and electable plus she is  #uncorruptable look at her policy plans.

King of the Dudes, What is Battle of the Bros all duded up?

King of the Dudes

Other words such as dude also emerged in the Five Points, said Cassidy.

Dud in old Irish, appearing in the Irish-English dictionary by Father Patrick Dineen published in 1927, means “dolt, a numbskull, a rubbernecker; a mopish, shy, foolish-looking fellow”, he said. In the Five Points, says Cassidy, richer classes would come for the booze and the girls, and the working-class Irish used to look at them with their monocles and top hats and derogatorily called them “dud”.

1888 Evander Berry Wall a New York Socialite was dubbed
“King of the Dudes.”
New York American newspaper “Battle of the Dudes”. The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966.
dude

This version of the word is still in occasional use in American slang, as in the phrase “all duded up” for getting dressed in fancy clothes.
He inherited $2 million before the age of 22.  He went bankrupt in 1899 and  declared that “New York had become fit only for businessmen” and left for Paris in 1912. He used bespoke shirtmaker Charvet, where Wall had his signature “spread eagle” collar shirts and cravats custom-made for himself and his dog. Wall always dined at the Ritz with his dog, whose collars and ties were made by Charvet in the same style and fabric as his master’s. When he died, he left only $12,608, having “squandered nearly every cent on pleasure.”

Learn about Irish American Vernacular English
How the Irish Invented Slang
Subtitle: The Secret Language of the Crossroads
by Professor Dan Cassidy

How the Irish Invented American Gambling Slang into Irish American Vernacular English.

What Does Boogie Mean?
The Linguist is taking notes. 1941 Ball of Fire – Billy Wilder, Gary Cooper, Barbara Stanwyk.

Slang is words that takes off his coat, spits on it’s hands and gets to work!

Giniker – Irish American Vernacular English: The Sunday Times Ireland July 9th 2006

IT SOUNDS like a load of bunkum, or in this case buanchumadh, but according to an American academic the Irish language has been a huge influence on American slang.

The Sanas (Irish Etymology) of Faro, Poker and the Secret Flash Words for the Brotherhood of American Gamblers. By DANIEL CASSIDY 5/13/06

Remember in 1859 Philadelphia is the 4th largest city in the WORLD.

“There’s A Sucker (Sách úr, fresh new “fat cat”) Born Every Minute.” See etymology of Bunk and Dude both are Irish.

The Sanas (Irish Etymology) of Faro, Poker and the Secret Flash Words for the Brotherhood of American Gamblers. By DANIEL CASSIDY 5/13/06

“Language is a virus from outer space.” – William S. Burroughs BEAT generation

Irish American Vernacular English words traced, found, and borrowed into Standard American English.

Karen Ellis Guest Lecturer
Honoring the work of Scholar Peter Tamony and The Sanas, the Etymology of Jazz and Dan Cassidy

Dudes: NYT News Desk 1942

dude

Well dressed in 1902 

The best-dressed American in Europe, the King of the Dudes. He was reported to possess 285 pairs of pants, 5,000 custom-tailored neckties. It was rumored that he changed his ties six times a day. His conduct was motivated by a great principle: find out what suits you and always wear it. Berry Wall usually wore capes and coats of horse-blanket plaid, high horse-collars cinched with lush Ascot cravats.

Donald Trump advisor/confidante Roger J Stone Jr with wife Nydia at the Inauguration. #Dandy #Style Roger Stone is primarily known as a political consultant, but he also serves as the men’s fashion correspondent for the Daily Caller. #1 DUDE The Dapper Don

Panicked Wall Street Bros Wonder: What Is Business-Casual??

Goldman Sachs bank execs Panicked Wall Street Bros Wonder: What Is Business-Casual???

Patter for Three-Card Monte – thanks to Whit Haydn School for Scoundrels

Who Killed Society by Cleveland Amory

DHS, FBI say election systems in all 50 states were targeted in 2016

DUDE Trump’s Justice Department OKs Trading with the Enemy
Trading with the Enemy Act  George Bush’s grandfather, the late US senator DUDE Prescott Bush, was a director and shareholder of companies that profited from their involvement with the financial backers of Nazi Germany. Files in the US National Archives shows Prescott Bush – how did we get here was a director  involved with…

Thorstein Veblen, the greatest American thinker you probably never heard of, predicted the rise of a Gilded Business Man and the demolition of democracy. The man who saw this coming a century ago

Louis the 14th thought “The State” was a person. HIM!

DUDE Trump’s money came from his grandfather another DUDE WHO owned a general store and whore house.

Donald Trump’s money originally came from his grandfather Friedrich Trump a German immigrant, who ran a whore house /restaurant – bar, in British Columbia.
Buried in a ghost town in Canada’s subarctic are the roots of the family fortune that paved Donald Trump’s path to prominence.

Guthrie reworked his signature Dust Bowl ballad “I Ain’t Got No Home” into a blistering broadside against his landlord: BEACH HAVEN AIN’T MY HOME (aka. “Old Man Trump”) Words by Woody Guthrie

Nov. 8 election that Eric had asked if American Hat Co. could make a custom hat for his father. Soon after, the manufacturer was at work getting measurements ready as well as the materials befitting the president of the United States.
“It morphed into now we’re making hats for Eric, for Don Jr. and for Mike Pence as well,” Mundee said.
Mundee said the Trump family requested a light-colored hat versus black, so the manufacturer went with a silverish tone. The material is a mixture of beaver belly fur and mink, making the hat soft as silk. The crown, or top of the hat, is done in a cattleman’s style. He said this specific style of hat is widely known as the finest in the cowboy market.
And it’s not just the material that American Hat Co. uses that puts their stamp on the product. It’s also the gold foil stamp on the inside band that also illustrates its quality, as well as the Keith Maddox mark of “KM” on the brim of the hat. The hat retails for about $2,800.

K12 PlayGround Find a School Discover the right school for your child.

K12Playground.com Find a School Discover the right school for your child.

Submit or Update Your School or Organization.

Once you’ve located your school, update the information about the school such as the amenities, features or programs that make this school special.

Find and compare K12 Schools and School Districts in the USA and Territories.

The Man Who Saw Trump Coming a Century Ago

Thorstein Veblen, the greatest American thinker you probably never heard of, predicted the rise of a Gilded Business Man and the demolition of democracy.

The Man Who Saw Trump Coming a Century Ago

Veblen got his initial job, teaching political economy at a salary of $520 a year, in 1890 when the University of Chicago first opened its doors. Back in the days before SATs and admissions scandals, that school was founded and funded by John D. Rockefeller, the classic robber baron of Standard Oil. (Think of him as the Mark Zuckerberg of his day.)

from the beginning, Thorstein Veblen was there, prepared to focus his mind on Rockefeller and his cronies, the cream of the upper class and the most ruthless profiteers behind that Gilded Age. He was already asking questions that deserve to be raised again in the 1% world of 2019. How had such a conspicuous lordly class developed in America? What purpose did it serve? What did the members of the leisure class actually do with their time and money? And why did so many of the ruthlessly over-worked, under-paid lower classes tolerate such a peculiar, lopsided social arrangement in which they were so clearly the losers?

A CURRENT ACCEPTABLE PREJUDICE by Jonathan Weiss Esq.

“Old white men.” The words separate are sometimes used pejoratively. All together they are considered by many “liberals” and many in the media as a crucial criticism. “Old” creates the most disdain. Rather than being considered an achievement implying future contribution, the years accumulated is considered negative.

Reactionaries often attack “political correctness” as a cover for the attitude and practice of racism, xenophobia, nativism, misogyny, wealth against poor, and disparagement of different gender and sexual practices – in their array of intolerant and discriminatory practices. But beyond all the despicable perspectives, with associated practices, glimmers a point.

Well out of population proportion, Blacks are now omnipresent in most ads, plays, and movies. Obligatory Blacks, generally cast as superior or educated, are featured in almost every dramatic or commercial presentation.. While it is true, there are many aspiring and unemployed actors available, to give preference on the basis on melanin amount should not be a functioning criterion. All actors should be allowed to play different parts. Forrest Whitaker portrays an excellent “Hughie”; Glenda Jackson a riveting “King Lear”, But the converse? – a white performer in “A Raison in the Sun”, Sam Rea as Lady Macbeth? (Shakespeare’s plays, historians say, were only performed by men). A few years back the bourgeoise identity advocate Spike Lee caused a furor to make sure that he, not a white man, direct “Malcolm X” failing to do justice to the charismatic, inspiring, and politically profound leader – who should have continued through old age. (Can you imagine Gershwin writing an opera, called ”Porgy and Bess” about a poor Black community (“Catfish Row”? Who would present it, if written now?)

This color preference, with a sprinkling of Asiatics, neglects Latinos and American Indians. (Indeed, the opposite is true when one watches an Atlanta Braves home game crowd do a publicly guided “tomahawk” while “nock- a-homer” displays an Indian character dancing around a wigwam.) This constant presence has created a backlash, to excite those with conscious or unconscious race resentment, while it satisfies only a select elite with a hope it improves markets or escapes criticism. It is hard to see it justified as “reparations” or “affirmative action” – concepts themselves subject to serious challenge.

The commendable Seth Meyers features a Black, a Puerto Rican Lesbian, and an Asian as writers on his late night show. The Black and Lesbian tell jokes labeled as “Jokes Seth Can Not Tell” with apparent lesbian and Black punchlines. On the other hand, he constantly jokes about “old men.” Most of the media stars including the talented Trevor Noah (bi-racial identifying as Black) do constantly: how they have lost their wits, are politically reactionary, look disgusting in a gym, particularly naked, lost their sexuality and attractiveness, can not do many tasks. Trevor Noah started his interview with Bernie Sanders “Are you too old?” to receive the appropriate reply: “Are you a bigot?” Let us note that his message seems to resonate with the younger voters in current polls putting him first in the current carnival of Democratic candidates.

The “old white men” accusation is frequently leveled at Congress with age complaints about Judges. (Where would the Supreme Court be without Ruth Bader Ginsberg in her mid 80s?). Seniority, in the Republican Party, is a problem endemic to the Rules. But, if we remove “white” from the triad, we all should celebrate the principled leadership from Elijah Cummings and John Lewis in the Congress. We should be delighted with Alexandra Ocasia Cortez for all she says and does, as well as thrilled that she replaced a 9 term Congressman, not because of his age, but because he was a retrograde party hack. An “old white man” has a long history to evaluate while he should have learned and grown politically, practically, and philosophically. Wisdom acquired constitutes a virtue.

Making “old white men” an acceptable criticism anywhere is wrong. Individuals are to be judged on their merits and potentialities. To accept “old white me” automatically as a negative cliche is discrimination wherever it occurs. Accepting the deplorable degradation and/or inequality practiced against “people of color”, women, and the poor, emphasizing the continued damage done to Native Americans, Latinos (now particularly Puerto Rican and Mexicans) and those with “different” sexual preferences requires real action rather than an elitist attack on another group.

The general social conditions are deplorable with poverty, racism, and exclusion of the oppressed from satisfying their needs and fulfilling their potentialities. Such a horror is not reduced by selected public featuring of anointed “people of color”, gender and age, but rather creates an anger for those so stigmatized and an excuse for those who are prejudiced. Occasional fawning obeisance to a “legend” exaggerates rather than minimizes a general “ageist” culture, particularly prominent in the media. Mandatory retirement, particularly in an era with pensions (promises for future payment to forgo present payments) and public benefits destroyed, creates poverty and wastes resources for the work place. The spectacle of the “elderly” serving at fast food places is not ennobling vision.

Nothing is inherently wrong for a human being to be “white”, “old”, or “man” The first, of course, has varied in definition (once including some Italians and Jews), the second an ascription dependent on societal longevity generalities, the third a biological classification. Together the words offer only an irrelevant characterization. Not redeemed by reverse preference, it perpetuates bigotry, pure and simple. Instead of a condemned, as an irrelevant, perspective, this pernicious prejudice is prevalent and reinforced by mass media for a “balance” based a fraudulent fad of “diversity”.

Old white men.” Honor the best of them. Respect all of them.

[ECP] NetHappeinings 3/12/19 #K12 #CPO

#NetHappenings @Nethappenings

3/12/19 #Web30 The World Wide Web turns 30 today!

Do you remember what life was like 30 years ago, pre-www,  when cyber-utopians heralded the new era of human collaboration and communication to  the underworld of social media posts called  ‘e-bile’?

Who Invented the Internet?
Who Controls The Internet?
Seven people control the system at the heart of the web: the domain name system, or DNS.

NetHappenings Where Internet Pioneer Gleason Sackmann got things started.

► @NetHappenings 

► K12PlayGround TM 
1st and oldest online K12 School directory in the World ©1993 History:
Be a part of Internet History!
Find, Edit, and Submit your K12 school information.
Join a #STEAM Project link to video project  find with #hashtags
@K12PlayGround

EduTech of ND @EduTechND History: Where Internet Pioneer Gleason Sackmann got things started.
EduTech provides information technology services and education technology professional development to K-12 educators in ND.

https://twitter.com/edutechnd

Girls Go CyberStart. The 2019 Girls Go CyberStart program is a series of online challenges that allow students to act as cyber protection agents to solve cybersecurity-related puzzles and explore related topics such as cryptography and digital forensics.
+++++++++++++++++++++++++++++++++++++++

NetBSD is a free, fast, secure, and highly portable Unix-like Open Source operating system. It is available for a wide range of platforms, from large-scale servers and powerful desktop systems to handheld and embedded devices.

Marcus J. Ranum, #Computer and #NetworkSecurity Researcher is now discussing our assumptions about #ComputerSecurity at #govsatcom 2019 #CyberSecurity #Luxembourg

2011 “The Internet will remain as insecure as it is possible to be and still function. ” -Marcus Ranum

► Amnesty Demands Israel Revoke NSO’s License After Haaretz Report on Firm’s Negotiations With Saudis Israeli Firm’s Spyware Was Used to Track Khashoggi

► Coinbase’s Newest Team Members Helped Authoritarians Worldwide Monitor Journalists and Dissidents H — king team
https://foreignpolicy.com/2016/04/26/fear-this-man-cyber-warfare-hacking-team-david-vincenzetti/

Never underestimate power, never underestimate fame. And our nation is run on loyalty, whether it be in Congress or your own little home, we’re positively tribal. Being rich and famous does not entitle you to break society’s rules. From time immemorial the wealthy have paid for silence, look at banks and offshore tax accounts.

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How much less California spends on each public school student than other states.
$25.4k per student in NYC, $16.7k in PA and $10.4k here in California.
How do young families keep moving  to CA?

Rankings of the States 2017 and Estimates of School Statistics 2018

California is 41st in the nation in per pupil K-12 spending

California is “No. 1 in per prisoner” spending.

Mostly True: You are shocked because the stats are bunk. Look at how much California teachers make (2nd highest in US) and then ask how overall spending could rank 41st? Answer: the 41st stat, like the $10.4k per student stat, has been helpfully “adjusted” to eliminate salary differences.

FALL ENROLLMENT 49,800,148 children
Average Daily Attendance 46,457,525 children

2017 High School Graduates 3,238,440 page 18

AVERAGE SALARY OF INSTRUCTIONAL STAFF 60,206 page 25
AVERAGE SALARY OF TEACHERS  58,479 page 26

How Much Federal Money follows the child out of the public school system into for profit charter follows no rules companies.

PUBLIC SCHOOL REVENUE PER STUDENT IN FALL ENROLLMENT page 29
PERCENTAGE OF COMBINED STATE & LOCAL REVENUE 49.8 page 34

The exceptions start on page 83
example: Enrollment figures only include students attending public schools and do not include those students attending private schools at public expense.

WHAT ABOUT ALL THE MONEY FROM THE LOTTERY?

Is The Lottery Shortchanging Schools?

Powerball Windfall? Schools Don’t Always Benefit From Lottery Sales

“Revenues generated from lottery have very little or no impact on overall education spending,” said Lucy Dadayan, a senior policy analyst at the Nelson A. Rockefeller Institute of Government, an Albany, New York, think tank. The reason: State legislatures often use the millions of dollars that come in from the lottery as an opportunity to reallocate other funds intended for schools from the state’s general revenue, making the overall education budget barely higher than it was before lottery money was added. “The state legislators added the funding in to the budget, and then they take it out,” said John O’Neil, communications director for the Virginia Education Association, an organization of more than 50,000 teachers and school professionals.

►Public school districts large systems that serve close to or more than 100,000 students have No Chief Privacy Officers.

Who is senior-level official who is responsible for the organization’s privacy policies and data governance in your school district?

Big Education Ape: Oakland, CA: Billionaires Will Convene to Discuss New Plans for Privatizing Public Schools | Diane Ravitch’s blog

Stats already show that Charter Schools do not graduate their students from high school.

Billionaires want all the K12 Department of Education money meant for the common good, the commons, our common wealth for their own pocket. These billionaires want the tax payers money for their own private  gain just to enrich themselves.

This has NOTHING to do with the quality of K12 Education.

The big business of selling student information and they do not protect their rights to privacy.

This is the art of the Steal.

https://www.newschools.org/about-us/team/donors/

Buying and selling the Data!

Anonymous at the top of the list
Chan Zuckerberg Foundation
Charles & Helen Schwab Foundation
The Walton Family Foundation
W.K. Kellogg Foundation
Perkins Hunter Foundation (Perkins family wealth started by opium drug running pirates)
The College Board
Michael & Susan Dell Foundation
John & Ann Doerr
Omidyar Network

► THERE ARE NO CHIEF PRIVACY OFFICERS IN K-12 EDUCATION

Children’s Rights K12 School Rights vs. Students Online privacy rights.

#StudentPrivacyRights

#ChiefPrivacyOfficer #CPO #K12CPO

STUDENT RIGHTS TO PRIVACY AND K12 SCHOOL RIGHTS VS. STUDENTS ONLINE PRIVACY RIGHTS.
and

DO YOU KNOW WHAT YOUR STATE IS COLLECTING ABOUT YOUR CHILD?There isn’t a single school district with a K-12 CPO. In fact, it is still extremely rare for districts to hire even one full-time employee dedicated to privacy.

Student Privacy Bill Protection : No Parental Consent Needed for Data Mining

Anyone who tells you they don’t need privacy because they “have nothing to hide” is a sheep that will enable a total surveillance state. Just don’t do it. Privacies protect our basic human rights.

► This story on IBM hoovering up millions of Flickr photos to power its facial recognition machine learning is fascinating and a nightmare

Facebook Is Giving Advertisers Access to Your Shadow Contact Information

: “Screen-grabbed from Facebook: a teacher had her students turn their phone volume up and create a collective record

Alex Stamos on Twitter: “This explains how Facebook plans to monetize a unified, 2 billion user end-to-end encrypted messaging service. I can’t think of a tech project with a more important privacy/safety balancing act than this one. I hope my friends working on it start public discussions on that.

Bob Lefsetz Zuckerberg’s Blog Post
A Privacy-Focused Vision for Social Networking
This isn’t about privacy, this is about MONOPOLY!

 

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COLLEGE ADMISSIONS IS BRIBED

A few months ago I was interviewing a college admissions coach who told me the following about how big of a donation it takes to get a child into an Ivy no questions asked: “There’s a certain magic number. It’s way higher than people think: $10 million.”

“what it takes to break into the 1% in various countries

$25 million nationwide college admissions cheating scam

“This case is about the widening corruption of elite college admissions through the steady application of wealth combined with fraud,” Andrew Lelling, the U.S. attorney for the District of Massachusetts, said at a news conference. According to Lelling, the ringleader of the scam is William Singer, owner of a college counseling service called Key Worldwide Foundation, who accepted bribes totaling $25 million from parents between 2011 and 2018 “to guarantee their children’s admission to elite schools.”
“The parents are a catalog of wealth and privilege,” Lelling said. “They include, for example, the CEOs of private and public companies, successful securities and real estate investors, two well-known actresses, a famous fashion designer and the co-chairman of a global law firm.”
Also named as defendants in the indictment are Robert Zangrillo, founder and CEO of the private investment firm Dragon Global; Bill Glashan, a businessman and international private equity investor; and Gordon Caplan, a New York attorney.

► Former PIMCO CEO Doug Hodge Named In Fraud Complaint Alongside Aunt Becky From “Full House”
Imagine surviving years of working with Bill Gross only to be taken down by bribing your kid into college. Um, Doug? You do have to talk in code. You’re doing a fraud.
JFC, you’d think a guy who spent that much time with Bill Gross would know how to bullshit properly.

How a Bicoin Evangelist Made Himself Vanish, in 15 (Not So Easy) Steps
#10 Buy a decoy house to fool the D.M.V.
Dozens of companies leaked sensitive data thanks to misconfigured Box accounts
Hospitals have ‘holy grail of personal data, ‘ yet their spending lags on 
digital security
Car alarms with security flaws put 3 million vehicles at risk of hijack
Drop Huawei or See Intelligence Sharing Pared Back, U.S. Tells Germany
Defense tech founded by Trump’s most prominent Silicon Valley supporters wins secretive military AI contract
Dreamers and Dropouts: Stories From Stanford, Cradle of Unicorns: The Good and the Bad of Stanford’s Massively Successful Startup Scene
Yes: a flying, jet-powered motorcycle As spec’ed out, the commercial speeder will weigh 231 lbs and be powered by four jet engines fueled with kerosene, diesel or Jet-A fuel. An ultralight version of the speeder will fly 60mph and won’t require a pilot’s license; alternatively, an experimental version of the craft will be able to fly over 150mph, but will require a formal license to fly. That aircraft should also have 30 minutes of flight time with 1200lbs of max thrust and a flight ceiling of 15,000 feet, though JetPack fully admits that most of its customers won’t need that…
Cyberization means it’s not your daddy’s war anymore: Kurdish rebels are exploiting an app to befriend and get information from Turkish soldiers. Reminiscent of the dating apps used by Hamas recently to spy on Israeli soldiers.

 NYC Media Lab newletter – https://nycmedialab.org/data/
How AI Will Rewire Us
Nicholas A. Christakis, Sterling Professor of Social and Natural Science at Yale and author of Blueprint: The Evolutionary Origins of a Good Society, believes AI is the only general purpose technology (GPT) that will fundamentally change our relations towards each other. If you look at any other GPT – the steam engine, electricity, the internet – these have changed everything around us except our “love, friendship, cooperation, and teaching” – what Christakis calls our evolutionary social suite. In this Atlantic piece, he explores how AI will be the first GPT to affect our social suite. Christakis noticed some peculiar things at his Yale lab. For one, when you include a cheerful bot who admits to occasional mistakes in a group assignment, the humans in the group work better together, vs. groups with bland robots. This holds true in larger experiments, with thousands of participants: “groups with mistake-prone bots consistently outperformed groups containing bots that did not make mistakes”. ~ Joly MacFie

John Gilmore  **Copyright seizure approaching** SpaCCS 2019 CFP (10+SIs): The 12th International Conference on Security, Privacy and Anonymity in Computation, Communication and Storage

Don’t submit your paper to this conference!  When researchers refuse to
supply their papers to the publishers who extort monopoly fees from
academic librarians, they have found the easiest way to tear down these
monopolies.

If you submit any paper to this conference, you will be forced
to assign your entire copyright in the paper to “Springer Nature
Switzerland AG”, now and forever, for their profit and your loss
and the public’s loss (see below).

Jun Feng is a program chair.  He should know to warn authors that
the whole conference is a scam on academic authors, which steals their
copyrights in order to extract large fees from academic libraries.  But
perhaps he did not mention this because he’s helping to run the scam.

I recommend publishing your work in Open Access conferences and journals in which (1) you are free to retain your copyright and control your
rights, and (2) the public is free to read your paper without paying
exhorbitant fees to a walled-garden publisher that prevents public
access to your scholarship.  See
https://en.wikipedia.org/wiki/Open_access

For example, the USENIX
Association runs many respected conferences and does Open Access
publication of their proceedings (https://www.usenix.org/).  The Public
Library of Science journals are also Open Access
(https://www.plos.org/).  Open access publishing increases your impact,
because all potential readers can actually read your paper.  Many
funders and academic institutions *require* that your work be published
with open access, because they have seen how the academic publishing
monopoly has damaged academic libraries (and science in general).

For general info about the highly profitable scams around academic
publishing, see:
https://en.wikipedia.org/wiki/Academic_publishing#Publishers_and_business_aspects

Jun Feng <junfeng989@gmail.com> wrote:

Papers must be clearly presented in English, must not exceed 14 pages (or
up to 20 pages with the pages over length charge) in Springer LNCS format (
https://www.springer.com/gp/computer-science/lncs/conference-proceedings-guidelines),

The beginning of cloud music streaming technology

The beginning of cloud based music streaming technology starts in 1899.

There is Nothing new under the sun, so if you were born after 1985 this may sound like fossil hunting, however this really happened!

Swing Hostess is a  comedy that shows a fictional company named Jukebox Emporium Company using the real technology – serving music from vinyl records through the telephone wire that allowed Jukebox users to hear the requested songs.

Watch Swing Hostess 1944 Comedy 

Women’s Work

Lots of sexist, nasty comments about “those kind of women”

33:38 Jukebox User Request to the operator:
How About the Cook Stove Special?
Yeah, you know Home on the Range. 🙂

14:00 The Job Training explains the “File” system
In the beginning of Wired Music technology, you ordered your song to play by telephone. The company service had a central office with operators who loaded disks onto record players. It only served a limited area of office buildings and other businesses. The bandwidth of the premium phone lines was better than a standard phone line (300-3000 Hz), but still not exactly “hi-fi”, but for 78 records it was good enough.

► 34:00 Get the marines! we’ve got a war to wage.

► 34:24  The company phone operator receives a phone call from the Juke Box “User” who has paid .25¢, .10¢, or .05¢ cents to hear the vinyl record spin the requested song through the telephone wire to the customer/user who paid to hear it.

► From vinyl records, cassettes, CDs, Napster files, mp3, mp4, wav etc, ipod players, cell phones to Streaming companies where it is no longer necessary to own the file.

Now we pay $10.00 monthly for all you can eat modern cloud based streaming tech companies when a user can choose from millions of files.

The Shyvers Multiphone, released in 1939 by Kenneth C. Shyvers, was an early model of a coin-operated phonograph (also known as a jukebox). It allowed patrons at restaurants, cafes and bars to play music at their table, and worked through telephone lines. The user inserted the necessary amount of coins, and was connected to a team of all-female disc jockeys in Seattle, who manually put on the selected song on a phonograph, playing the music through the telephone connection. At the height of the product’s popularity, the 8,000 Multiphones were used in various establishments primarily on the west coast.
– Shyvers’ 1947 patent for his music box design
– Development of Telephone Line Broadcasting Systems
-A Centralized Music Library

The Multiphone was a music selection device that operated over telephone lines mostly in Seattle, Tacoma and Olympia, Washington from 1939 to 1959.

It was created by Kenneth and Lois Shyvers of the Seattle, Washington area. This man also invented the pinball machine. The Multiphone is a version of a jukebox wall box.

These units were typically placed on tables, counters or bars. A patron could deposit a coin and speak with a telephone operator standing at a turntable at the Central Music studio, who would then play a selection in the speaker at the bottom of the Multiphone. These units became popular because they had a record range of 170 whereas jukeboxes only had a record range of 20-48.

How it worked

These units sat on tables, counters, and bars. The system required two leased telephone lines, one for the multiphone, one for the loudspeakers on the wall that were connected to the record playing station. First you would select from the 170 choices of tunes, drop the correct amount of dimes in the coin slot at the top of the machine, for your selections. The two lights in the middle of the unit would then light up, and thru one of the leased telephone lines the disc jockey would be alerted and then they would talk direct to you thru the speaker in the top of the unit to find out your choices. You would give the numbered choices, they would then be played, with the sound coming thru the four inch speaker in the bottom of the unit. These units became popular because they had a record range of 170 whereas jukeboxes only had 20-24. The jukebox was remodeled to play 180 45 rpm records and the multiphone could not compete and went out of business in 1959. This unit is buffed cast aluminum and has been rewired to plug in and see the lights work. There is also speaker wire attached to hook up to your unit if so desired. The condition is excellent for its age. All original except the cord, no dents, no rust and no pitting. …
Empire State Building Shyvers Jukebox Selector Pic 

The Multiphone
played an important role in the evolution of the jukebox, an invention that grew to become a staple of its time and is still often used in cafes and restaurants to recreate the temporality of the mid 20th century.
The first recorded coin operated phonograph was presented in 1889, in a public demonstration at the Palais Royal Restaurant in San Francisco on November 23, 1889.

Louis T. Glass, the operator of this initial model, is credited as “the father of the concept.” Before delving into the phonograph world, Glass worked as a telegraph operator at Western Union, but then left the company with the advent of the telephone, investing in various telephone companies in Oakland and San Francisco. He eventually became the general manager of the Pacific States Telephone and Telegraph Co. After his successful investments, he then partnered with businessman William S. Arnold to further develop the coin-operated phonograph.

Though Glass is considered to be the “father” of the jukebox, he and Arnold only filed a patent for the “Coin Actuated Attachment for Phonographs,” not a completely functional coin-operated phonograph in 1889.

The people of the 1930s and 1940s had coin-operated music players.

The Multiphone and jukeboxes created a new “social practice” of listening to the same music together as media scholar Jose van Dijck says in his article

“Record and Hold: Popular Music between personal and Collective memory.”

According to Dijck, a listener’s memory of music cannot be removed from the context in which it was experienced. For the people during the age of the Multiphone and jukeboxes, the conversations at bars and diners about selecting a song to play made a special place in listeners’ minds. More importantly, this very practice of going to a public place to listen to music is the effect of the technology’s power to create new rituals and thinking as media scholar, Marshall McLuhan discusses in his pivotal work, “The Medium Is The Message.”

2019 The Music Modernization Act passes

Copyright Royalty Board (CRB) ruled to increase royalty payments to songwriters and music publishers from music streaming companies by nearly 44 percent, the biggest rate increase granted in CRB history. These rates will go into effect for interactive streaming and limited download services like Amazon, Apple, Google, and Spotify for the years 2018-2022, and will transform how songwriters are paid by these interactive streaming services.

Largest Ever Copyright Royalty Board Ruling Transforms How Songwriters are Paid

This was a hearing pitting songwriters and music publishers against five technology companies, including three of the largest companies in the world (Apple, Amazon and Google), which sought to reduce the already low rate of royalties that they pay to songwriters for the use of their music on their streaming services. [monopolies vs. antitrust law]
Even though the songwriters were looking for a per-stream rate, that they did not get, the digital services were fighting to reduce rates, so it is still a victory for them. Streamlined rate terms replace calculations with a simplified formula based on the “greater of” concept. This, under previous conditions, may have involved dozens of computations involving different offerings has been reduced to two variables. Originally, songwriters asked the CRB to grant the greater of 15 cents per 100 streams or $1.06 per user per month, but they did gain ground. Over the last decade, since the beginning of music streaming, writer royalties had been strictly based on a percentage of each streaming service’s revenue, putting them at the mercy of subjective corporate decision-making.

Streaming Revenues

► Broadcasts are considered a public performance, and garner a higher performance license rate. For instance, Rodney Jerkins illustrated the discrepancy in September at the Recording Academy’s District Advocacy Day in Los Angeles by sharing an accounting statement for “As Long As You Love Me,” a top 10 hit for Justin Bieber in 2012. By 2013, Jerkins’ stake in the song generated $146,000 in performance royalties, while streaming revenue from the same period garnered $278 for 38 million Pandora plays and $218 for 34 million YouTube streams.

The US Government Is Forcing Streaming Services to Pay Songwriters 43.8% 2018

The CRB ruling legitimizes and secures higher rates while also allowing for the possible removal of a contested provision in the controversial Music Modernization Act.

1) For the next five years (from 2018 – 2022) the per-stream royalty rate for mechanical royalties will increase incrementally from the current 10.5% of Gross revenue to 15.1% of Gross revenue. For example, in the current model, if a music service made $100 in Gross Revenue, then 10.5% of $100 is the pot of money being paid for all the compositions, an amount of $10.50.   If there are 100 streams in that one month, the service divides $10.50 by 100 streams to get a per stream rate of $0.105 per stream Under the new model, by 2022, the 10.5% will increase to 15.1%.  Doing the same calculation means each stream is now worth $0.151 per stream, an increase of about 40%.

2) If the music services pay the royalties late, they will be charged a late fee.

3) If a record label negotiates a higher rate with Spotify for the recording (as there is no government regulation or rate for recordings), then the royalty rate for the composition can also increase, but with a limit. For example, if a record label gets 70% of Gross Revenue, then the amount being paid for the composition could theoretically increase to above 15.1%.

HOW LONG HAS THIS BEEN GOING ON?

The Telephone Line Music Systems were an interesting but short-lived feature in the history of the jukebox.

► 2019 The CRB mandated 15.1% rate, phasing in over the next five years, is one of the highest rates in the world and is now a rate that must be met under the law.

► 1927 The jukebox business gets a National Automatic Music Company
License http://jukeboxlicense.org/Q_A.htm

►  The first recorded coin operated phonograph was presented in 1889, in a public demonstration at the Palais Royal Restaurant in San Francisco on November 23, 1889.

1888 – 1998 History of the Coin-Operated Phonographs pdf by Gert J. Almind

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 2019 ARSC CONFERENCE The Outreach Committee of the Association for Recorded Sound Collections (ARSC)

53rd annual ARSC Conference, May 8-11, 2019, in Portland, Oregon.

The conference programs will take place at the Benson Hotel, an historic hotel located within walking distance of shopping, dining, and entertainment in the Pearl District, Pioneer Square, and downtown Portland. It is within striking distance of several of the city’s many record stores and Powell’s City of Books. Museums include the Portland Art Museum, Oregon Historical Society, and the Oregon Museum of Science and Industry.

The pre-conference workshop, “All Things Digital: Digital Audio Workstation Basics,” will be held on May 8, 9:00 a.m.-5:00 p.m., at the Crystal Ballroom, in the Benson Hotel.

A block of rooms has been reserved at special rates for ARSC conference attendees. ARSC’s contracted dates extend from May 7-11. Additionally, the group rate will be honored three days before and three days after, based on availability. The deadline for reservations at the group rate is April 12. After that date, reservations will be accepted on a space available basis at the prevailing rate.

Information about the hotel, room rates, and reservations:

Register early and save! In order to receive the early registration discount, you must register for the conference by April 19. Registration options are available for members and non-members. A special fee waiver program is available for student members. Online registration is now available at:

Conference Details

For general information about the conference, contact Brenda Nelson-Strauss, Conference Manager: bnelsons—-{[@]} —–indiana.edu

To discuss or arrange sponsorship, exhibits, or advertising, contact Curtis Peoples, Assistant Conference Manager: Curtis.Peoples–{[@]} –ttu.edu

CONFERENCE PROGRAM

The preliminary conference schedule (subject to change) PDF

ARSC is dedicated to the preservation and study of sound recordings — in all genres of music and speech, in all formats, and from all periods. Reflecting this broad mission, the upcoming conference offers talks and sessions that will appeal to both professionals and collectors.

Presenters include representatives from archives across North America and Europe, as well as record collectors, dealers, audio engineers and producers, academics, historians, and musicians.

This year’s plenary sessions are:

  • The Music Modernization Act and You
  • Discogs — Collaboration and Crowdsourcing in the 21st Century

Presentations and session topics include:

  • The Fabulous Wailers and the Founding of the Northwest Rock ’n’ Roll Sound
  • Phil Moore: Portland’s Forgotten Groomer of the Stars and Musical Genius
  • Portland’s Native Son Mel Blanc: “Wascally Wabbit” Making “Wecords” 🙂
  • Recent Developments in Audio Retrieval via Optical Methods
  • Discography, Then and Now
  • Recent Developments in the Preservation of Wire Recordings, Magnabelts, and Dictabelts
  • The First Black-Owned Recording Ventures Reissued: Black Swans
  • Jack Penewell: The Paramount Test Pressings and Private Recordings of the Inventor of the Twin-Six Guitar
  • Lacquers: Playback and Content
  • How to Leverage Open Mass Digitization Audio Projects
  • A Century of Concert Spiritual Recordings: The Pioneers
  • The First Days of Disco
  • Preserving NBC Radio Coverage of the Founding of the United Nations
  • Media Preservation and Digitization Principles and Practices
  • Portland’s DIY Scene: The Punk Underground, and Rock and Roll
  • Mahalia Jackson’s Apollo Recordings
  • How Archiving Challenges of the Past Can Be Used to Shape Future Approaches
  • Laurel and Hardy on the Radio: Rare and Well Done
  • Bob Fass and Radio Unnameable: Saving NYC’s Radical Radio History
  • Surveying Archival Yiddish Audio Collections: A Treasure of Yiddish Songs and Stories
  • Where the Music Matters: KEXP Audio Archives Digitization
  • Inventing the Recording in 1900 Spain: The Era of the Gabinetes Fonográficos

Thursday evening  “Ask the Technical Committee”
Friday evening open to the general public “Collectors’ Roundtable”
Friday evening, join Mark Cantor for the music-on-film event, “Music is Where You Find It.” Most fans of music on film are well aware of the riches to be found within feature films, short subjects, SOUNDIES, and television broadcasts. But popular music — jazz, blues, country, ethnic, and just plain “pop” — can be found in many other film genres. In this session, we will explore some of the other sources — often neglected when music on film is discussed — where great performances can be found: fund raising films, industrial shorts, television commercials, raw newsreel footage, experimental and independent films, propaganda pieces, animated cartoons, and home movies. This program is drawn from the Celluloid Improvisations Music Film Archive, perhaps the largest private collection of musical content where 16mm sound film is the primary source. Join us for a session of rarities that includes appearances from Benny Goodman, Duke Ellington, Helen Humes, Don Shirley, Big Bill Broonzy, “Cannonball” Adderley, Spade Cooley, Eddie Lang, and many more!

PRE-CONFERENCE WORKSHOP

“All Things Digital: Digital Audio Workstation Basics” is a full-day, hands-on workshop on May 8, at the Benson Hotel. The workshop will give attendees a practical overview of digital audio workstation use for archival applications. It is intended for archivists, collection managers, researchers, students, and anyone who needs to have a working knowledge of digital audio. No previous experience necessary. The workshop is limited to 50 attendees.

OPTIONAL PRE-CONFERENCE TOUR
On May 8, tour Cascade Record Pressing, the first large-production, automated record pressing plant in the Pacific Northwest. It is Oregon’s only vinyl record pressing plant, and produces high-quality records for discerning artists and labels. Learn about all aspects of the record pressing process. Cascade Record Pressing is located about 20 minutes southeast of downtown Portland in Milwaukie. Grace Krause, Project Manager at Cascade Record Pressing, is generously offering a pre-conference tour for a limited number of participants (maximum: 15). Participants meet in the Benson Hotel lobby at 1:15 p.m. for 1:30 p.m. departure for the tour. Transportation will be by shared Uber vehicles. Participants return to hotel at 3:30 p.m. Fee applies (covers transportation).

NEWCOMER ORIENTATION and MENTORING PROGRAM
ARSC invites first-time conference attendees and conference veterans to participate in the Conference Mentoring Program. The program pairs newcomers with long-time members, based on their shared interests. Mentors provide mentees with an orientation to the conference, the association, and its participants in informal meetings over the course of the conference. Only ARSC veterans who are committed to the mentoring program should volunteer.

AWARDS BANQUET

The conference will conclude on Saturday evening with the annual Awards Banquet. Winners of the 2018 Awards for Excellence and 2019 Lifetime Achievement and Distinguished Service awards will be honored. Finalists for the 2019 Awards for Excellence will be announced.

The Association for Recorded Sound Collections is a nonprofit organization dedicated to the preservation and study of sound recordings — in all genres of music and speech, in all formats, and from all periods. ARSC is unique in bringing together private individuals and institutional professionals — everyone with a serious interest in recorded sound.